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A monoprint is one of a series—therefore, not wholly unique. A monoprint begins with an etched plate, a linocut, or collagraph. This underlying image remains the same and is common to each print in a given series. Other means of adding pigment or design are then employed to make each print in the series slightly different. The series of monoprints has a limited number of prints and each is numbered. Have a look at mine here. A monotype is one of a kind, a unique piece of artwork. It is the simplest form of printmaking, requiring only pigments, a surface on which to apply them, paper and some form of press. You can see mine here. Here's how Frank Howell describes the process: "Monotypes are pulled impressions that were drawn or painted on a metal or plexiglass plate. The images are created through applications of ink that are rolled, brushed, daubed or otherwise applied and manipulated and then, with the material, usually paper, that is to accept an impression, are "pulled" with the use of a press. Monotypes are inherently unique because only one or two impressions may be pulled before the ink is used up. Although there may be a second impression, it is quite different from the first in that most of the ink was lifted from the plate in its first pass through the press. The second impression, called a ghost or cognate, is much lighter or thinner and is more of a suggestion of the first. Each pulled impression may be considered a finished work or it may be further enhanced by the application of additional drawing or colour."

Contemporary works on paper range in intrinsic value as follows: commercially produced posters which are photographically or mechanically printed are lowest in value; next are "original prints" such as etchings, collagraphs and linocuts; next are monoprints, each part of a series but having unique elements; and of highest value, because each is unique, is the monotype. In terms of cost, the monotype fills the gap between lower-priced multiple prints and higher-priced original paintings on paper or canvas.

In printmaking, an edition is a number of prints struck from one plate, usually at the same time. This may be a limited edition, with a fixed number of impressions produced on the understanding that no further impressions (copies) will be produced later, or an open edition limited only by the number that can be sold or produced before the plate wears. Most modern artists produce only limited editions, normally signed by the artist in pencil, and numbered as say 5/20 to show the unique number of that impression and the total edition size.

"The time required to make a monotype is the combined years of experience and knowledge of artist and printer . . . plus 2 hours." (Ricardo Ximenes, master printer). Those tempted to dismiss monotypes as "quick and easy" must remember that the techniques and elements of making monotypes - the amount of pressure from the press, types of inks and oils used, how they are applied, etc - require not luck, but tremendous skill, and make the result unique to this process.

Contemporary works on paper range in intrinsic value as follows: commercially produced posters which are photographically or mechanically printed are lowest in value; next are "original prints" such as etchings, collagraphs and linocuts; next are monoprints, each part of a series but having unique elements; and of highest value, because each is unique, is the monotype. In terms of cost, the monotype fills the gap between lower-priced multiple prints and higher-priced original paintings on paper or canvas.

That's not a problem. If you need to cancel your order, contact me as soon as possible via email nigelgrayart@gmail.com If I have not already shipped your order, I will cancel it without any cost to you and credit you with a full refund. If I have already shipped your order, then please contact me within 14 days for advice on how to return it to me. Once I have received the artwork back in good order, I will refund you minus what it cost me to ship it to you. Please see my Returns Policy for full details.

Of course! I want you to be completely happy with your purchase. If for any reason you are not, you have up to 14 days from date of receipt to receive a full refund minus shipping costs. Please see our Returns Policy for full details

It depends. If it is a monotype, then, no. Monotypes are one-off pieces of art. If it is an etching, collagraph, mono print or linocut, then it may be I have yet to print the prints that are left in the limited edition. Please let me know what print you're interested in via nigelgrayart@gmail.com and I'll certainly see what I can do.

Unframed artwork on paper will be sent wrapped in bubble paper inside a sturdy cardboard tube. It will be shipped using a trackable, insured postal service of Australia Post.

If you live locally and would like to save the postal charges, I'm happy to discuss the option of picking up a purchase in person. Please email me at nigelgrayart@gmail.com

I'm happy to discuss this. Please email me at nigelgrayart@gmail.com